Kristóf Nagy | Fung Public Seminar Series: Culture Wars as Imperial Mechanism: Orbán's Hungary and the Contemporary Hegemonic Transformations
Details
Through the ethnography and history of Viktor Orbán's Hungarian Academy of Arts, Nagy demonstrates how global transformation operates not only through trade and military conflicts, but fundamentally through culture wars among artists and intellectuals. This raises a troubling question: why do artists — often imagined as the vanguard of liberal cosmopolitanism — actively participate in neoimperialist projects?
To explain this paradox, Nagy traces how the capitalist globalization of cultural goods since the 1970s destabilized artists' livelihoods, making a broad cohort receptive to far-right politics that promise material security and cultural sovereignty through protection from global art markets and international cultural industries. The talk concludes by arguing that understanding new imperialism requires recognizing that global transformation happens not despite culture wars but through them — and that artists and intellectuals are not passive victims but active agents in constituting these imperial formations. Hungary's experience reveals how neoliberal precarity, authoritarian cultural policy, and new imperialism converge in the cultural sphere, offering not only a framework for understanding how new imperialism mobilizes cultural institutions worldwide, but also a perspective to compare it with the interwar development of far-right cultural politics.
Where
Louis A. Simpson International Building, Room 144
Princeton, NJ 08544, United States
Speakers
Kristóf Nagy
2025-26 Fung Global Fellow; Assistant Professor, Eötvös Loránd University, Budapest
PIIRS, Princeton University
Kristóf Nagy is a historical anthropologist and sociologist specializing in the cultural politics of contemporary far-right governments. With a background in art history from the Courtauld Institute of Art and a Ph.D. in social sciences from Central European University, his research explores the intersections of imperialism, cultural infrastructures and far-right culture wars through ethnographic and historical methods. For seven years, he has edited “Fordulat,” a journal of left social theory. At Princeton, he will develop his first monograph on far-right cultural policies and their global historical connections, centering the case of Hungary as a laboratory for contemporary culture wars.
Hosted By
Co-hosted with: Princeton Institute for International & Regional Studies, Anthropology Department
Contact the organizers