PLAS Graduate Workshop | Santiago Conti (HIS) & Catarina Lins Oliveira (SPO)
by
Thu, Oct 9, 2025
12 PM – 1:20 PM EDT (GMT-4)
Aaron Burr Hall, Room 216 (open to students, faculty, visiting scholars and staff)
Princeton, NJ 08544, United States
Registration
Details
Let No One Hear Us – a Queer Reading of Ana Cristina Cesar’s Archive
PRESENTER
Catarina Lins Oliveira, Ph.D. Candidate, Spanish and Portuguese
Ana Cristina Cesar is likely the first name that comes to mind when thinking of a Brazilian woman poet from the 1970s and ’80s. Although many theses and dissertations have already examined her oeuvre, my work focuses on an aspect that academic scholarship has tended to overlook: the poet’s queerness. By analyzing Cesar’s letters and poetry, this presentation situates her work within the broader context of the homosexual movements in Brazil and the United States. Additionally, by paying attention to how the poet engages with sound, I propose that Cesar, although not explicitly an activist in the homosexual movement, created a queer form which, in turn, contributes to the crafting of a queer future.
DISCUSSANT
Rafael Cesar, Assistant Professor, Spanish and Portuguese
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The herds of Mandure. Economic transformations and shifting power relations in the Guarani missions. 1768-1810.
PRESENTER
Santiago Conti, Ph.D. Candidate, History
In 1800 the viceroy of the Rio de la Plata, Marqués de Avilés, abolished the communal system that organized the economic life in the Guarani missions. With this decision, Avilés was trying to end with a long period of socio-economic crisis of the Guarani missions that started after the expulsion of the Jesuit and prolonged until the nineteenth century. Historians that studied this economic crisis focused primarily on demographics, production, trade and the institutional architecture that organized the economic life of the missions. These valuable studies, however, have not approached the consequences of economic transformations over the power relations inside the missions. In this article I argue that: 1) structural transformations modified the relationship between Guarani authorities and commoners, weakening the first; 2) the consequences of the economic transformations were unequal over Guarani population and with regional variability; 3) these transformations led to a process of social differentiation inside the missions that had no place before the expulsion of the Jesuits.
DISCUSSANT
Miqueias Mugge, Academic Research Manager, PIIRS
MODERATOR
Dylan Blau Edelstein, Ph.D. Candidate, Spanish and Portuguese; PLAS Graduate Fellow
This event is open to students, faculty, visiting scholars and staff.
Sponsorship of an event does not constitute institutional endorsement of external speakers or views presented.
Where
Aaron Burr Hall, Room 216 (open to students, faculty, visiting scholars and staff)
Princeton, NJ 08544, United States
Speakers
Andrea Giunta
Art Historian & Independent Curator, Universidad de Buenos Aires; PLAS Visiting Fellow, Princeton University
Andrea Giunta (Ph.D., Universidad de Buenos Aires) Andrea Giunta is Professor of Latin American and Global Art History at the Universidad de Buenos Aires and a renowned writer and independent curator. Her publications and curatorial work have helped redefine the field of modern Latin American art history and its canon. She is the author of several groundbreaking books, such as Diversidad y arte latinoamericano (Siglo XXI, 2024), The Political Body: Stories of Art, Feminism, and Emancipation in Latin America (University of California Press, 2023) Rethinking Everything/ Pensar todo de nuevo / Puisqu’il fallait tout repenser (Paris, delpire & co, 2021), Contra el canon. El arte contemporáneo en un mundo sin centro (Siglo XXI, 2020), Feminismo y arte latinoamericano. Historias de artistas que emanciparon los cuerpos (Siglo XXI, 2018), Avant-Garde, Internationalism and Politics. Argentine Art After the Sixties (Duke University Press, 2007) and When Does Contemporary Art Begin? (ArteBA 2014). She was founder director of the Center for Latin American Visual Studies at the University of Texas at Austin (2009-2013) where she was the head of Latin American Art History and Criticism. She was curator of the controversial retrospective exhibition on León Ferrari’s works (Centro Cultural Recoleta, Buenos Aires, 2004), co-curator (with Agustin Pérez Rubio) of Verboamérica, permanent collection of Latin American Art at MALBA (2016), and co-curator (with Cecilia Fajardo-Hill) of Radical Women: Latin American Art, 1960-1985 (Hammer Museum, LA / Brooklyn Museum, New York / Pinacoteca de Sao Paulo, 2017-2018), Chief Curator Bienal 12, Mercosur, Brasil, Femine(s). Visualities, Actions, Affects, curator of Rethiking Everything (Rolf Gallery Buenos Aires 2020, Les Recontres de Arles, 2021), and When the World Changes. Questions on Art and Feminisms (Centro Cultural Kirchner, Buenos Aires, 2021). Visiting Professor at Duke University, Durham, Ecole des hautes études en sciences sociales, Paris, among others. She was awarded the Guggenheim, Getty, Rockefeller, Harrington, Tinker fellowship – as Visiting Professor at Columbia University, Spring 2017 – and the Rudolf Arnheim Visiting Professorship at Humboldt Universitat, Summer 2021. Her essays on Latin American and international postwar art have been published in academic journals, books and catalogue exhibitions in the Americas and Europe.
Hosted By
Co-hosted with: Princeton Institute for International & Regional Studies